Keyboardist from Australia. In 1966, he was a member of Australian band The Ramrods. In 1968, he joins another band from Sydney, Aesop's Fables. The band split in 1969. But in February 1970, they reform again, with new musicians. But they finally parted ways in October 1970. Then, Moberley joined the band Honky Tonk, with his old mate Brian Holloway. In the mid seventies, he joined John Miles Band. Around 1977 or so, Doreen & Irene sang live with John Miles, with this lineup (recording a live album). Gary left John Miles in December 1977 (being replaced by Brian Chatton.
In 1979, he joined The Sweet for recordings videos promotions and world tours, but after a couple of albums, they dissolved. Albums with The Sweet: Cut above the rest (1979, with Eddie Hardin, Geoff Westley), Waters edge. Later gary also worked early days with Andy Scotts Sweet and played keyboards on some of Andys solo projects.
In the seventies Gary acted as musical director for many American artists, while they were touring Europe. Singers such as Rufus Thomas, The Platters, Eddie Floyd, Arthur Conley, or the mighty Wilson Pickett. In the mid 80s, he played with new wave band ABC. In November 1989, he's part of the Bee Gees backing live band for a concert that was released on two videos. In 1999, he also joins the reincarnation of 60s band The Foundations. And, if he wasn't busy enough, he also plays in Ray Minhinnet's Band, with other great veterans from the British scene. He had also worked with Terence Trent Derby, Nennha Cherry, Wet Wet Wet, Prefab Sprout, The Damned, Talk Talk, Big Country, Kiki Dee, Sigue Sigue Sputnik.
Steve Priest remembers: "It is a long time ago now I guess but seems yesterday to me. Gary was never really a member of Sweet but was a great man to be on the road with. He has a wonderful Australian sense of humor that I really appreciate. Dry as a bone and totally to the point! "
About the time in Sweet Gary remembers: "What was it like back then working with The Sweet, one of the biggest acts in the peak period time of the music industry ? FANTASTIC. How did they treat me ? GREAT AS ONE OF THE LADS. Were we very naughty boys ? OH YES OF COURSE THANK GOD. I remember on the American tour (jesus I don’t think there was one big act from that time that we didn't tour with) but we always held our own and were never overpowered or outclassed by anyone.. Bob Segars' onstage crew used to call them 'leather lungs' because of the power of the vocals. They would actually have to turn all the mikes down after bobs sound check because of the natural volume going into the mike from sweet vocals."
